Twentieth-century Jewish philosopher Abraham Joshua Heschel once said, “Our goal should be to live life in radical amazement.” Author Annie Lamott calls this “practicing random acts of wonder.”[1]Wonder, that numinous, breathtaking blend of magic, curiosity, and joy all rolled into one. An amaryllis that suddenly blossoms on Christmas Day, after weeks without water! The text from a friend at the very same moment I think of her. The way the Holy Spirit always comes through when it’s time to write a sermon. The Magi lived it. Star of wonder, star of light… Cultivating wonder is a spiritual practice—a counterbalance to despair and worry.
I got to thinking, maybe it’s not just the noun, but also the verb. To wonder, to ponder the truth of something…To wonder is to venture deeper.
There’s a mysterious, ancient Christmas Carol that can perhaps help us practice this.
Coventry Carol is not your typical Christmas carol. It’s dark. It’s the hauntingly beautiful lullaby created and first performed near Coventry Cathedral in England eight hundred or so years ago. We’re unsure about the composer's identity, but the song became popular during the Middle Ages after it was performed in mystery plays, religious dramas based on biblical stories. Somehow, it survived for centuries despite a fire that destroyed the only known copy of the score and changes in the church prohibiting public performances of the song.
Lully, lullay, thou little tiny child.
Bye bye, lully, lullay
Annie Lennox has a fierce emotional rendition of the Coventry Carol. There are numerous other, more traditional versions available on your favorite music app. The song is written primarily in a minor key, but with an unexpected major note at the end of the last stanza. Music theory geeks know about modaltonality, a specific arrangement of notes intended to elicit a certain emotion. One can just imagine mothers in Bethlehem, or anywhere else for that matter, holding their babies close; rocking and rocking, synchronizing breath and heartbeat, vocalizing lament to calm their anxiety.
O sisters too, how may we do,
For to preserve this day
This poor young ling for whom we do sing
Bye, bye, lully, lullay.
In case you were wondering, Coventry Carol was written about the so-called slaughter of the innocents from Matthew’s gospel. But apparently, there’s no credible historical proof of an actual massacre. However, the ancient historian Josephus affirmed that Herod’s temperament was such that an event like this was altogether possible. Herod was a piece of work, it seems. He was not born Jewish; he married into the faith. Herod was one of those frightening tyrants who would stop at nothing to hold onto power. To be a benevolent “King of the Jews,” ironically, the title given to Jesus by the Magi and later by Pontius Pilate, was far from Herod’s nature, and yet this was his station. Rather than ruling justly, Herod was known to frequently seek political revenge, often resorting to murder, including members of his own family.[2]
Herod, the king, in his raging,
Charged he hath this day
His men of might, in his own sight,
All young children to slay.
Amidst all the violence, somehow, the world keeps turning. And mothers everywhere, keep rocking and singing.
Catching wind of Herod’s evil plan in a dream, Joseph whisks Mary and Jesus off from Roman-occupied Bethlehem to find safety in Egypt. Crossing the border into Egypt is perhaps a provocative move. You might recall that the other Joseph, the earlier biblical dreamer, was famously enslaved there. Also, curiously, although outside of Herod’s jurisdiction, Egypt was also under Roman control. However, there is ample theological precedent for political asylum in Egypt (for fun, read about Hadad in 1 Kings 11:17). Also, around the time of Jesus’ birth, there was apparently a large Jewish population in Egypt. Perhaps the Holy Family stayed with friends. We might also wonder about the Jewish tradition that claims the boy Jesus may have learned magic during time spent in Egypt.[3]
We might wonder if the author of the Gospel according to Matthew is establishing Jesus as the prophesied Messiah by recapitulating events from the Hebrew scriptures, comparing Jesus to Moses in the Exodus story. Matthew’s Gospel also includes a hyperlink to Hosea: “Out of Egypt I have called my son,” the prophet writes.
We might wonder how the birth narratives in Luke and Matthew could be so different. Was creative license taken by one or both evangelists? If we consider the violence during the time the gospels were being recorded, decades after Jesus' death and resurrection, it seems plausible that writers may have taken some liberties to reassure anxious followers of the risen Christ. With countless others, we might also wonder whether secret encoded messages may have been tucked into the gospels for those early followers.[4]
Andrea Gibson, the prolific poet and activist who died way too young in July of last year, wrote, “We have to create. It’s the only thing louder than destruction.”
I wonder what they had in mind when they wrote that.
In the massive World War II bombing campaign known as the Blitz on November 14, 1940, German bombs devastated Coventry, England, including Coventry Cathedral. Several weeks later, on Christmas Day, the BBC broadcast a Christmas service from the rubble of the once-grand cathedral.
According to one BBC article, “Despite the devastation, Provost Richard Howard addressed the Empire from the ruins, speaking of forgiveness and hope…
The service concluded with the choir singing the Coventry Carol, music as old as the cathedral itself, and a song which now exists alongside it as a symbol of peace and reconciliation born from tragedy.”[5]
That woe is me
Poor child for thee!
And ever morn and day…
I wonder how the Holy Family managed as refugees for those few years in exile before Joseph received the all-clear sign from his angel.
I wonder if it’s possible that Herod’s slaughter of the innocents was fake news. God, I hope so. I wonder if we are doing absolutely everything we can to protect our babies from unnecessary violence today.
For thy parting
Neither say nor sing
Bye bye lully lullay
As we head into Epiphany season this week, I wonder about these kinds of things. Epiphany season is when the church shines a light on the one prophesied about and prayed for: God incarnate with us, one of us, the refugee with no place to lay down his sweet head, whose life would hereafter be in constant danger. There’s a tension here that’s worrisome. And yet, wonder of wonders, a song of love and lament arises out of the ashes of despair and destruction, inviting humanity to pay attention, to listen more closely for the not-so-subtle note of hope and redemption mysteriously encoded into the everyday music of our lives.
Spiritual Practice: Inhale: Keep, Exhale: Wondering
| My amaryllis. Is she a beauty? |
Some Episcopal immigration resources here.
For a terrific podcast about the Coventry Carol, listen here.
And if you cannot get enough of the Wise Men, here’s last year’s sermon.
[1] Mirabai Starr, Ordinary Mysticism: Your Life as Sacred Ground, First edition. (New York, NY: Harper One, 2024), 70.
[2] Andrew McGowan, “A Christmas Version 2025: The Flight into Egypt (and Luke’s Nativity, and John’s Prologue),” Substack newsletter, Andrew’s Version, December 23, 2025, https://abmcg.substack.com/p/a-christmas-version-2025-the-flight.
[3] Ben Witherington, III, Matthew (Macon, Georgia: Smyth & Helwys, 2016), bks. 68–74.
[4] Elaine H. Pagels, Miracles and Wonder: The Historical Mystery of Jesus, First edition (New York: Doubleday, 2025), 72.
[5] “The Coventry Peace Carol Based on a Biblical Massacre,” December 25, 2025, https://www.bbc.com/news/articles/cwyg2lgw14xo.
